About The Record: Contemporary Art and Vinyl
The Record: Contemporary Art and Vinyl, organized by the Nasher Museum of Art at Duke University, is the first museum exhibition to explore the culture of vinyl records within the history of contemporary art. Bringing together artists from around the world who have worked with records as their subject or medium, this groundbreaking exhibition examines the record's transformative power from the 1960s to the present.
Through sculpture, installation, drawing, painting, photography, sound work, video and performance, The Record combines contemporary art with outsider art, audio with visual, and fine art with popular culture.
The exhibition features 99 works by 41 artists, including rising stars in the contemporary art world (William Cordova, Robin Rhode, Dario Robleto), outsider artists (Mingering Mike), well-established artists (Ed Ruscha, Carrie Mae Weems) and artists whose work will be shown in a U.S. museum for the first time (Kevin Ei-ichi deForest, Jeroen Diepenmaat, Taiyo Kimura, Lyota Yagi).
The Record includes a wide range of works, such as a hybrid violin and record player, Viophonograph, a seminal work by Laurie Anderson; David Byrne's original life-sized Polaroid photomontage used for the cover of the 1978 Talking Heads album More Songs About Buildings and Food; a monumental column of vinyl records by Cordova; and an early work by Robleto, who transformed Billie Holiday records into hand-painted buttons through an alchemic process. Works by Christian Marclay, who has made art with records for 30 years, include his early and rarely seen Recycled Records as well as his most recent record video, Looking for Love. Museum visitors will also be able to listen to a series of guest curated album crates, with music selected by leading music and art figures.
According to Trevor Schoonmaker, who organized The Record as curator of contemporary art at the Nasher Museum of Art at Duke University, this exhibition “imagines the record as a lens through which artists view the world, and demonstrates art’s singular ability to reveal the extraordinary, the elemental power of everyday objects by transforming them into something new.”
Lamb of Man / Atom and Eve / Americana Materia Medica
2006 – 07 (detail)
Colored paper, cardboard, ribbon, foamcore, glue, willow
60 x 185 x 4.75 inches (152 x 470 x 20 cm);
60 x 60 x 4.75 inches each (152 x 152 x 12 cm)
Collection of the Nasher Museum of Art at Duke University
Fund for Acquisitions with additional funds provided by Dr. Peter H. Klopfer, the children of Marilyn M. Segal in her honor, and the bequest of Viola Mitchell Fearnside, by exchange, 2009.1.1A-C
Courtesy of the artist and D’Amelio Terras, New York
Photo by Peter Paul Geoffrion